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by Lucky908 Sun Jan 17, 2016 5:46 pmIndy wrote:
Nisam ovo do sada slušao, jako je dobro! Kad prvi put otpeva I'm deranged… i odličan klavir u offu kroz celu pesmu, posebno na kraju. Hvala, Indy!
David Bowie
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Join date : 2014-11-11
Nisam ovo do sada slušao, jako je dobro! Kad prvi put otpeva I'm deranged… i odličan klavir u offu kroz celu pesmu, posebno na kraju. Hvala, Indy!
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Join date : 2014-10-27
Neonska duga
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Join date : 2014-11-13
DB peva dečiju pesmicu. Super je
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Join date : 2014-11-04
Veoma lep gest sajta rateyourmusic.com (gde sam član mnogo godina). Zvezdice koje se dodele albumu Blackstar izlaze u crnoj boji, dočim su normalno zvezdice zlatne. 
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http://www.zimbio.com/quiz/xp3P5KwDWof/Which+David+Bowie+Song+Are+You
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Još jedna potcenjena numera, i to u toplesu. 
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Join date : 2014-11-04
Po (ne)društvenim mrežama, mnogo se prašine diglo oko Bowievog navodnog odbijanja saradnje sa Coldplay (zato što je smatrao da im ta pesma "nije neka"). Bez obzira što sam najveći Bowie fan u povijesti historije, malo mi ide na gangliju taj hipsterizam... Kao i ono što kruži po Fejsu "mi smo (misli se na nas, matoru generaciju) plaćali za muziku, pa smo imali Bowieja i Lemmyja; vi imate besplatnu muziku, pa zato imate Biebera i tome slično"... Prečišćeni BS!
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Join date : 2014-10-27
naravno da je bs. lepo je nesto o tome otpisao bili breg.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
Erős Pista
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Join date : 2012-06-10
Indy wrote:Još jedna potcenjena numera, i to u toplesu.
Khm, neki su već prijavili da najbolje obožavaju taj album...
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Join date : 2015-11-26
Location : Location, Location
Indy wrote:Po (ne)društvenim mrežama, mnogo se prašine diglo oko Bowievog navodnog odbijanja saradnje sa Coldplay (zato što je smatrao da im ta pesma "nije neka"). Bez obzira što sam najveći Bowie fan u povijesti historije, malo mi ide na gangliju taj hipsterizam... Kao i ono što kruži po Fejsu "mi smo (misli se na nas, matoru generaciju) plaćali za muziku, pa smo imali Bowieja i Lemmyja; vi imate besplatnu muziku, pa zato imate Biebera i tome slično"... Prečišćeni BS!
Zapravo je razlog upravo obrnut. Zato što danas niko ne može da prosto samo donese ploču/CD/fajl koju misli da treba pustiti i pusti je/ga, e zato imamo 100k stanica koje vrte Biebera na sto načina.
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primetio sam, ali je bilo ocekivano, posto mu je to najmetalnije 
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ova zemlja to je to
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http://www.theguardian.com/music/musicblog/2016/jan/20/david-bowie-glenn-frey-mourn-mock-eagles-everett-true
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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Join date : 2012-06-10
Kinder Lad wrote:Indy wrote:Po (ne)društvenim mrežama, mnogo se prašine diglo oko Bowievog navodnog odbijanja saradnje sa Coldplay (zato što je smatrao da im ta pesma "nije neka"). Bez obzira što sam najveći Bowie fan u povijesti historije, malo mi ide na gangliju taj hipsterizam... Kao i ono što kruži po Fejsu "mi smo (misli se na nas, matoru generaciju) plaćali za muziku, pa smo imali Bowieja i Lemmyja; vi imate besplatnu muziku, pa zato imate Biebera i tome slično"... Prečišćeni BS!
Zapravo je razlog upravo obrnut. Zato što danas niko ne može da prosto samo donese ploču/CD/fajl koju misli da treba pustiti i pusti je/ga, e zato imamo 100k stanica koje vrte Biebera na sto načina.
ne kontam, daj elaboriraj.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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William Murderface wrote:Kinder Lad wrote:
Zapravo je razlog upravo obrnut. Zato što danas niko ne može da prosto samo donese ploču/CD/fajl koju misli da treba pustiti i pusti je/ga, e zato imamo 100k stanica koje vrte Biebera na sto načina.
ne kontam, daj elaboriraj.
pa ono, čini mi se da su danas pravila emitovanja prilično stroža, posebno van anglosaksonskog sveta, nego pre 30-tak godina. a mislim i tamo. Ali da ne pričam napamet, postoji na forumu predstavnik direktno iz te branše pa može da da cenjeno mišljenje
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Aha, da, da, sad razumem.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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William Murderface wrote:Aha, da, da, sad razumem.
Mada ok, nije sao to. Država se, svuda, povlačila i povlačila, u smislu vlasništva i uticaja, a sve više rasla i rasla u smislu regulacije. Tako da to ubijalo kreativnost (ali i subverzivnost) na dva koloseka. Jer, do pre samo 5-6 godina...ljudi jesu stvarno slušali radio. Sad mislim da smo već na početku jedne druge ere (već dobrano), i sad je tu bitka.
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Join date : 2014-11-12
Meni uopšte nije čudno što je Bowie odbio Coldplay, koji će mu moj oni, ne vidim šta bi tu moglo da mu bude interesantno. I da, mnogi ljudi seire i uživaju u tome, jer ih nervira što takva bezvezarija (po njihovom, a i mom ukusu) zgrće tol'ke pare. Nisam siguran ni da je to baš generacijsko pitanje, više estetsko.
A ovo što kaže Kinder Lad je tačno.
A ovo što kaže Kinder Lad je tačno.
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ostap bender wrote:http://www.theguardian.com/music/musicblog/2016/jan/20/david-bowie-glenn-frey-mourn-mock-eagles-everett-true
Jbt zbog ovakvog tipa članaka (a nisam stigao dalje od podnaslova
) doći će dan kada više neću otvarati fkn Guardian. Jeblo ih pronalaženje krivice u nekom neodređenom čitateljstvu, što ne odu lepo u fratre ili ćasne sestre, pa da fingerpointuju do mile volje. Kako mrzim taj mindset, tukao bih ih nečim ćoškastim.- Posts : 7403
Join date : 2015-11-26
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to je prilično bez veze tekst, ali ne znam jesi li kačio ovo iz GU? Meni mnoooogo bolje. U stvari super je tekst.
[size=68]David Bowie had no feel for the 1960s. No wonder he floundered. Neither flower-power optimism nor insurrectionary bravado really turned him on: as he wrote in All the Young Dudes: “We never got it off on that revolution stuff.” Even Space Oddity fixated on the loneliness of space travel rather than the pioneer spirit.[/size]
The 1970s, though: there was a decade that spoke to his anxieties. A decade of cults, terrorists, scandals, recessions, defeats, environmental panic and a sense of constant crisis – what Francis Wheen described in his book Strange Days Indeed: The Golden Age of Paranoia as “a pungent melange of apocalyptic dread and conspiratorial fervour”. Bowie was to the 70s what the Beatles were to the 60s: a lightning rod, a tuning fork, a mirror. With his mastery of dread, and the excitements of dread, the man who described himself as “an awful pessimist” understood the decade’s strange energies like no other musician.
http://www.theguardian.com/music/musicblog/2016/jan/13/david-bowie-was-to-the-70s-what-the-beatles-were-to-the-60s
[size=68]David Bowie had no feel for the 1960s. No wonder he floundered. Neither flower-power optimism nor insurrectionary bravado really turned him on: as he wrote in All the Young Dudes: “We never got it off on that revolution stuff.” Even Space Oddity fixated on the loneliness of space travel rather than the pioneer spirit.[/size]
The 1970s, though: there was a decade that spoke to his anxieties. A decade of cults, terrorists, scandals, recessions, defeats, environmental panic and a sense of constant crisis – what Francis Wheen described in his book Strange Days Indeed: The Golden Age of Paranoia as “a pungent melange of apocalyptic dread and conspiratorial fervour”. Bowie was to the 70s what the Beatles were to the 60s: a lightning rod, a tuning fork, a mirror. With his mastery of dread, and the excitements of dread, the man who described himself as “an awful pessimist” understood the decade’s strange energies like no other musician.
http://www.theguardian.com/music/musicblog/2016/jan/13/david-bowie-was-to-the-70s-what-the-beatles-were-to-the-60s
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Ryuichi Sakamoto reflects on his unique time with David Bowie
When we scheduled an interview with Ryuichi Sakamoto, there was a lot we already wanted to talk about. The influential composer and electronic music pioneer is currently navigating award season for his incredible score to The Revenant, his first new work since being treated for throat cancer.
On Sunday night, while Sakamoto was attending the Golden Globes, the world was shaken by the news that David Bowie had passed away following his own battle with cancer. Besides their legacy as musicians, Sakamoto and Bowie had the unique experience of working together as actors in Nagisa Oshima’s 1983 film Merry Christmas Mr. Lawrence.
The film, about English POWs in a Japanese prison camp, framed its central conflict between Bowie’s rebellious Jack Celliers and Sakamoto’s fierce, conflicted Captain Yonoi. The pair give revelatory performances despite being non-professional actors, and though Sakamoto never acted again in the same capacity, his film score produced an international hit with ‘Forbidden Colours’, launching a career in soundtracks that is still going strong today (with the occasional Oscar and Golden Globe win along the way).
In an excerpt from our forthcoming interview with Sakamoto and fellow Revenant composer Alva Noto, and in the wake of the Bowie’s death from a disease the composer is intimately familiar with, Sakamoto reflects on the time he spent with Bowie.
When did you get the news?
Sakamoto: Last night after the ceremony.
What was your first reaction?
Sakamoto: I still cannot believe. Even now I can’t believe, especially because the new album came out two days ago. This morning I carefully listened back to each track of the new album. His vocals sound not like a cancer patient — because I know that. I was diagnosed with cancer two years ago, so I know what it is. It doesn’t sound right.
I watched Merry Christmas Mr. Lawrence this afternoon. That was the first film you scored. What was that experience like, acting and composing?
Sakamoto: I never pursued an acting career, it’s not my intention, but it’s a fact that I acted in a film for the very first time with David Bowie, who was amazing. And it was my very first film music. So two very new things came to be at the same time. Working with David Bowie, I was with him for a month, every day, on a very small island in the South Pacific Ocean. For a month! [laughs]
Noto: My god!
Sakamoto: It was an amazing experience. He was very nice guy. Very straightforward.
Noto: Did you hang out in evenings?
Sakamoto: Every night. There was nothing else to do except hanging out. There was a swimming pool and restaurant lounge, but that’s it.
Did you talk to him about the music you were doing for the film?
Sakamoto: No, no. I hadn’t started working on it yet, I was totally concentrated on the acting. I also sort of hesitated to ask David to work with me on the music at the time, because he seemed very concentrated on acting.
Not the right time to ask?
Sakamoto: I totally hesitated.
Noto: But it’s weird. Two musicians as actors.
Sakamoto: Weird, right?
Last edited by Indy on Sat Jan 23, 2016 12:01 am; edited 1 time in total
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meni ovo iz gardijana nije bilo lose ali kapiram da je zato sto sam u mojim fb krugovima naleteo na takvu sprdnju.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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Join date : 2014-11-04
Ja samo ne volim taj tip pisanja (veoma uobičajen u Guardianu). Za to mora da postoji i neki stručan termin, a ja kao prirodnjak to ne znam, ali znam da me nervira... Taj neki optuživački ton. U meni to budi buntovnu agresiju, a ne volim taj osećaj.
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to je zapravo jalovo moralizatorstvo. nije strucan termin.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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А и која би струка то покривала, коме то треба.
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cousin for roasting the rakija
И кажем себи у сну, еј бре коњу па ти ни немаш озвучење, имаш оне две кутијице око монитора, видећеш кад се пробудиш...