Crna Gora - okupacija & apel

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Inside the Vampires’ Castle

The first configuration is what I came to call the Vampires’ Castle. The Vampires’ Castle specialises in propagating guilt. It is driven by a priest’s desire to excommunicate and condemn, an academic-pedant’s desire to be the first to be seen to spot a mistake, and a hipster’s desire to be one of the in-crowd. The danger in attacking the Vampires’ Castle is that it can look as if – and it will do everything it can to reinforce this thought – that one is also attacking the struggles against racism, sexism, heterosexism. But, far from being the only legitimate expression of such struggles, the Vampires’ Castle is best understood as a bourgeois-liberal perversion and appropriation of the energy of these movements. The Vampires’ Castle was born the moment when the struggle not to be defined by identitarian categories became the quest to have ‘identities’ recognised by a bourgeois big Other.

The privilege I certainly enjoy as a white male consists in part in my not being aware of my ethnicity and my gender, and it is a sobering and revelatory experience to occasionally be made aware of these blind-spots. But, rather than seeking a world in which everyone achieves freedom from identitarian classification, the Vampires’ Castle seeks to corral people back into identi-camps, where they are forever defined in the terms set by dominant power, crippled by self-consciousness and isolated by a logic of solipsism which insists that we cannot understand one another unless we belong to the same identity group.

I’ve noticed a fascinating magical inversion projection-disavowal mechanism whereby the sheer mention of class is now automatically treated as if that means one is trying to downgrade the importance of race and gender. In fact, the exact opposite is the case, as the Vampires’ Castle uses an ultimately liberal understanding of race and gender to obfuscate class. In all of the absurd and traumatic twitterstorms about privilege earlier this year it was noticeable that the discussion of class privilege was entirely absent. The task, as ever, remains the articulation of class, gender and race – but the founding move of the Vampires’ Castle is the dis-articulation of class from other categories.

The problem that the Vampires’ Castle was set up to solve is this: how do you hold immense wealth and power while also appearing as a victim, marginal and oppositional? The solution was already there – in the Christian Church. So the VC has recourse to all the infernal strategies, dark pathologies and psychological torture instruments Christianity invented, and which Nietzsche described in The Genealogy of Morals. This priesthood of bad conscience, this nest of pious guilt-mongers, is exactly what Nietzsche predicted when he said that something worse than Christianity was already on the way. Now, here it is …

The Vampires’ Castle feeds on the energy and anxieties and vulnerabilities of young students, but most of all it lives by converting the suffering of particular groups – the more ‘marginal’ the better – into academic capital. The most lauded figures in the Vampires’ Castle are those who have spotted a new market in suffering – those who can find a group more oppressed and subjugated than any previously exploited will find themselves promoted through the ranks very quickly.

The first law of the Vampires’ Castle is: individualise and privatise everything. While in theory it claims to be in favour of structural critique, in practice it never focuses on anything except individual behaviour. Some of these working class types are not terribly well brought up, and can be very rude at times. Remember: condemning individuals is always more important than paying attention to impersonal structures. The actual ruling class propagates ideologies of individualism, while tending to act as a class. (Many of what we call ‘conspiracies’ are the ruling class showing class solidarity.) The VC, as dupe-servants of the ruling class, does the opposite: it pays lip service to ‘solidarity’ and ‘collectivity’, while always acting as if the individualist categories imposed by power really hold. Because they are petit-bourgeois to the core, the members of the Vampires’ Castle are intensely competitive, but this is repressed in the passive aggressive manner typical of the bourgeoisie. What holds them together is not solidarity, but mutual fear – the fear that they will be the next one to be outed, exposed, condemned.

The second law of the Vampires’ Castle is: make thought and action appear very, very difficult. There must be no lightness, and certainly no humour. Humour isn’t serious, by definition, right? Thought is hard work, for people with posh voices and furrowed brows. Where there is confidence, introduce scepticism. Say: don’t be hasty, we have to think more deeply about this. Remember: having convictions is oppressive, and might lead to gulags.

The third law of the Vampires’ Castle is: propagate as much guilt as you can. The more guilt the better. People must feel bad: it is a sign that they understand the gravity of things. It’s OK to be class-privileged if you feel guilty about privilege and make others in a subordinate class position to you feel guilty too. You do some good works for the poor, too, right?

The fourth law of the Vampires’ Castle is: essentialize. While fluidity of identity, pluraity and multiplicity are always claimed on behalf of the VC members – partly to cover up their own invariably wealthy, privileged or bourgeois-assimilationist background – the enemy is always to be essentialized. Since the desires animating the VC are in large part priests’ desires to excommunicate and condemn, there has to be a strong distinction between Good and Evil, with the latter essentialized. Notice the tactics. X has made a remark/ has behaved in a particular way – these remarks/ this behaviour might be construed as transphobic/ sexist etc. So far, OK. But it’s the next move which is the kicker. X then becomes defined as a transphobe/ sexist etc. Their whole identity becomes defined by one ill-judged remark or behavioural slip. Once the VC has mustered its witch-hunt, the victim (often from a working class background, and not schooled in the passive aggressive etiquette of the bourgeoisie) can reliably be goaded into losing their temper, further securing their position as pariah/ latest to be consumed in feeding frenzy.

The fifth law of the Vampires’ Castle: think like a liberal (because you are one). The VC’s work of constantly stoking up reactive outrage consists of endlessly pointing out the screamingly obvious: capital behaves like capital (it’s not very nice!), repressive state apparatuses are repressive. We must protest!
...

https://www.opendemocracy.net/en/opendemocracyuk/exiting-vampire-castle/

Bendegúz Somogyi wrote:Ne znam zašto, malo me BS i rasprava podsetila na jedan davni tekst, fragmentarno. 

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Inside the Vampires’ Castle

The first configuration is what I came to call the Vampires’ Castle. The Vampires’ Castle specialises in propagating guilt. It is driven by a priest’s desire to excommunicate and condemn, an academic-pedant’s desire to be the first to be seen to spot a mistake, and a hipster’s desire to be one of the in-crowd. The danger in attacking the Vampires’ Castle is that it can look as if – and it will do everything it can to reinforce this thought – that one is also attacking the struggles against racism, sexism, heterosexism. But, far from being the only legitimate expression of such struggles, the Vampires’ Castle is best understood as a bourgeois-liberal perversion and appropriation of the energy of these movements. The Vampires’ Castle was born the moment when the struggle not to be defined by identitarian categories became the quest to have ‘identities’ recognised by a bourgeois big Other.

The privilege I certainly enjoy as a white male consists in part in my not being aware of my ethnicity and my gender, and it is a sobering and revelatory experience to occasionally be made aware of these blind-spots. But, rather than seeking a world in which everyone achieves freedom from identitarian classification, the Vampires’ Castle seeks to corral people back into identi-camps, where they are forever defined in the terms set by dominant power, crippled by self-consciousness and isolated by a logic of solipsism which insists that we cannot understand one another unless we belong to the same identity group.

I’ve noticed a fascinating magical inversion projection-disavowal mechanism whereby the sheer mention of class is now automatically treated as if that means one is trying to downgrade the importance of race and gender. In fact, the exact opposite is the case, as the Vampires’ Castle uses an ultimately liberal understanding of race and gender to obfuscate class. In all of the absurd and traumatic twitterstorms about privilege earlier this year it was noticeable that the discussion of class privilege was entirely absent. The task, as ever, remains the articulation of class, gender and race – but the founding move of the Vampires’ Castle is the dis-articulation of class from other categories.

The problem that the Vampires’ Castle was set up to solve is this: how do you hold immense wealth and power while also appearing as a victim, marginal and oppositional? The solution was already there – in the Christian Church. So the VC has recourse to all the infernal strategies, dark pathologies and psychological torture instruments Christianity invented, and which Nietzsche described in The Genealogy of Morals. This priesthood of bad conscience, this nest of pious guilt-mongers, is exactly what Nietzsche predicted when he said that something worse than Christianity was already on the way. Now, here it is …

The Vampires’ Castle feeds on the energy and anxieties and vulnerabilities of young students, but most of all it lives by converting the suffering of particular groups – the more ‘marginal’ the better – into academic capital. The most lauded figures in the Vampires’ Castle are those who have spotted a new market in suffering – those who can find a group more oppressed and subjugated than any previously exploited will find themselves promoted through the ranks very quickly.

The first law of the Vampires’ Castle is: individualise and privatise everything. While in theory it claims to be in favour of structural critique, in practice it never focuses on anything except individual behaviour. Some of these working class types are not terribly well brought up, and can be very rude at times. Remember: condemning individuals is always more important than paying attention to impersonal structures. The actual ruling class propagates ideologies of individualism, while tending to act as a class. (Many of what we call ‘conspiracies’ are the ruling class showing class solidarity.) The VC, as dupe-servants of the ruling class, does the opposite: it pays lip service to ‘solidarity’ and ‘collectivity’, while always acting as if the individualist categories imposed by power really hold. Because they are petit-bourgeois to the core, the members of the Vampires’ Castle are intensely competitive, but this is repressed in the passive aggressive manner typical of the bourgeoisie. What holds them together is not solidarity, but mutual fear – the fear that they will be the next one to be outed, exposed, condemned.

The second law of the Vampires’ Castle is: make thought and action appear very, very difficult. There must be no lightness, and certainly no humour. Humour isn’t serious, by definition, right? Thought is hard work, for people with posh voices and furrowed brows. Where there is confidence, introduce scepticism. Say: don’t be hasty, we have to think more deeply about this. Remember: having convictions is oppressive, and might lead to gulags.

The third law of the Vampires’ Castle is: propagate as much guilt as you can. The more guilt the better. People must feel bad: it is a sign that they understand the gravity of things. It’s OK to be class-privileged if you feel guilty about privilege and make others in a subordinate class position to you feel guilty too. You do some good works for the poor, too, right?

The fourth law of the Vampires’ Castle is: essentialize. While fluidity of identity, pluraity and multiplicity are always claimed on behalf of the VC members – partly to cover up their own invariably wealthy, privileged or bourgeois-assimilationist background – the enemy is always to be essentialized. Since the desires animating the VC are in large part priests’ desires to excommunicate and condemn, there has to be a strong distinction between Good and Evil, with the latter essentialized. Notice the tactics. X has made a remark/ has behaved in a particular way – these remarks/ this behaviour might be construed as transphobic/ sexist etc. So far, OK. But it’s the next move which is the kicker. X then becomes defined as a transphobe/ sexist etc. Their whole identity becomes defined by one ill-judged remark or behavioural slip. Once the VC has mustered its witch-hunt, the victim (often from a working class background, and not schooled in the passive aggressive etiquette of the bourgeoisie) can reliably be goaded into losing their temper, further securing their position as pariah/ latest to be consumed in feeding frenzy.

The fifth law of the Vampires’ Castle: think like a liberal (because you are one). The VC’s work of constantly stoking up reactive outrage consists of endlessly pointing out the screamingly obvious: capital behaves like capital (it’s not very nice!), repressive state apparatuses are repressive. We must protest!
...

https://www.opendemocracy.net/en/opendemocracyuk/exiting-vampire-castle/

Bluberi wrote:Sve to imaš u našem razmimoilaženju oko peticije za Crnu Goru

Talason wrote: za tebe je to 24/7

No Country wrote:

Bluberi wrote:Sve to imaš u našem razmimoilaženju oko peticije za Crnu Goru

On a more serious note: ниси у праву. Јесте, можда су неки ликови сасвим слични Б. Србљановић потписали дотичну петицију, али то је још увек не обезвређује, т.ј. не обезвређује оно што је било битно у читавој ствари: јасан опис механизма путем кога је Србија дестабилизовала суседне земље и изазивала ратове, и још јаснију осуду истог. Е, али... У том малом “али” је било србовања колико ти душа иште, до те мере да су се саговорницима лепиле усташке етикете, а било је и нечег горег: интелектуалног непоштења.

Мислим, мени је унеколико драго да те та ствар и даље жуља. Али не - није сводиво на “другосрбијански курварлук”, нити било коју од чаршијских теорија завере, лакиране бубашвабе, puppeteers и сл. Оно што се десило, и у Црној Гори и овде на Бурундију, то је била једна омања провала национализма. До следеће добре прилике.

No Country wrote:Ех, кад би се некако дало средити то што је из авиона видљиво, па да се после позабавимо и финесама, ако нам уопште буде до тога. 

Ово је класично преигравање. Чуј, нема Вучића у петицији!?

No Country wrote:Знаш како је, када су окупације у питању - ја обично верујем окупиранима. Т.ј. ако кажу да су били окупирани - ја им верујем. Или макар за нијансу више него окупаторима.

In 1910 Montenegro became a kingdom, and as a result of the Balkan wars in 1912 and 1913 (in which the Ottomans lost most of their Balkan lands), a common border with Serbia was established, with Shkodër being awarded to a newly-created Albania, though the current capital city of Montenegro, Podgorica, was on the old border of Albania and Yugoslavia

Montenegro became one of the Allied Powers during World War I (1914–18). From 1916 to October 1918 Austria-Hungary occupied Montenegro. During the occupation, King Nicholas fled the country and a government-in-exile was set up in Bordeaux.

In 1922, Montenegro formally became the Oblast of Cetinje in the Kingdom of Serbs, Croats and Slovenes, with the addition of the coastal areas around Budva and Bay of Kotor. In a further restructuring in 1929, it became a part of a larger Zeta Banate of the Kingdom of Yugoslaviathat reached the Neretva River.