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паће
by паће Tue Aug 09, 2022 11:55 pmЈесте, али овде је тако пуштен да падне под свој утицај да нисам имао живаца. Бољи је у другим Хичевим филмовима... отприлике као Тома Курузовић, кога једнако не варим, ал' у „Посебном извештају“ (ака „Издвојеном мишљењу“) не смета превише, режисер га натерао да глуми неку другу улогу осим химселфа - то уме свака шуша, јака ствар.
Razno razno razno
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Join date : 2012-02-12
Location : wife privilege
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electric pencil sharpener is useless, electric pencils don't need to be sharpened at all
И кажем себи у сну, еј бре коњу па ти ни немаш озвучење, имаш оне две кутијице око монитора, видећеш кад се пробудиш...
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I ja, isto!
So I want to understand the cultural context in which Being John Malkovich happened, like what was Malkovich’s specific deal at that time that they could meta-title a movie about him like that. If they made Being John Malkovich today, who would it be instead of John Malkovich
— Casey Johnston (@caseyjohnston) August 12, 2022
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Age : 36
Location : Hotline Rakovica
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Sve čega ima na filmu, rekao sam, ima i na Zlatiboru.
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Ne dajte da vas prevare! Sačuvajte svoje pojene!
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Location : wife privilege
Џаба брада, познао сам Ниџу Скејџа у другој секунди.
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electric pencil sharpener is useless, electric pencils don't need to be sharpened at all
И кажем себи у сну, еј бре коњу па ти ни немаш озвучење, имаш оне две кутијице око монитора, видећеш кад се пробудиш...
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Join date : 2012-02-13
ide neka emisija kratko o kratkom na jrt 3 tu prikazuju kratke igrane filmove.
sad ide neki od rata pa ne znam dokle. ima album zivotinjsko carstvo, ima " bizmismeni" ratni lrofiteri.
sad ide neki od rata pa ne znam dokle. ima album zivotinjsko carstvo, ima " bizmismeni" ratni lrofiteri.
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Join date : 2014-11-07
I'd planned to sample an hour or two of Lars von Trier's RIGET EXODUS, the new installment in his KINGDOM series, but the darn thing is so funny, sly, inventive and surrpetitiously profound that I ended up staying for all 295 minutes. @biennale_cinema #Venezia79
— Dave Kehr (@dave_kehr) August 31, 2022
Alejandro G. Inarritu has reached the inevitable 8 1/2 stage of his career with BARDO, 172 minutes of unbridled ego I wouldn't wish on my worst enemy. Let's see if Netflix survives this one. #Venice79
— Dave Kehr (@dave_kehr) September 1, 2022
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Između 1918. i 1941. god. u Kraljevini Jugoslaviji je snimljeno 15 dugometražnih igranih filmova od kojih su samo 4 sačavana u celini: Grešnica bez greha (1930), U kraljevstvu zlatoroga (1931), Sa verom u Boga
— Digitalna istorija (@Digitalna_Ist) September 2, 2022
(1932) i Triglavske strmine (1932). pic.twitter.com/TXgOJ57ifd
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"Sisaj kurac, Boomere. Spletkario si i nameštao ban pa se sad izvlačiš. Radiša je format a ti si mali iskompleksirani miš. Katastrofa za Burundi čoveče.
A i deluje da te napustio drugar u odsudnom trenutku pa te spašavaju ova tovarka što vrv ni ne dismr na ribu, to joj se gadi, i ovaj južnjak koji o niškim kafanama čita na forumu. Prejaka šarža." - Monsier K.
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Zvezdo, kakav je ovo chalenge sa salutiranjem Kidmanki?
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ne znam zaista, ne pratim
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ova zemlja to je to
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Walter Hill's DEAD FOR A DOLLAR is one of the handful of morally serious films of the last decade, grave, elegant, worthy of its dedication to Budd Boetticher.#Venezia79
— Dave Kehr (@dave_kehr) September 6, 2022
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ova zemlja to je to
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ova zemlja to je to
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Location : Waystone Inn
Ajme:(:
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my goosebumps have goosebumps
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gledam razgovor danea i godara o istorijama filma. prvih 15 minuta dane smara kako je tesko napraviti istoriju filma jer je toliko filmova. godar ga prekida: i kaze, ali ne, nema. dovoljno je 10 filmova, za svaki prst po jedan (godar i ruke!). onda dane ponovo pocinje da tupi kako se godar rodio u pravom trenutku, usred veka, da bi danas neko morao 15 godina da provede u kinoteci samo da pogleda filmove, a tek onda da se pozicionira, koliko je to tek godina. i sve je vise filmova, ukljucujuci i tolike godarove. i onda ga godar opet prekida: ma ne, sve je manje i manje filmova. mozda ih ima mnogo ali svi su slicni.
tacno jedan bolestan od filmofilije i nista ne kapira, drugi prakticno izmislio filmofiliju ali se i izlecio.
tacno jedan bolestan od filmofilije i nista ne kapira, drugi prakticno izmislio filmofiliju ali se i izlecio.
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ova zemlja to je to
- Posts : 11624
Join date : 2018-03-03
Age : 36
Location : Hotline Rakovica
_____
Sve čega ima na filmu, rekao sam, ima i na Zlatiboru.
~~~~~
Ne dajte da vas prevare! Sačuvajte svoje pojene!
- Posts : 7342
Join date : 2014-11-07
tacno hobermane!
ovo je jako blamantno dzime hobermane
Godard’s career trajectory boggles the mind. The first and greatest of postmodern cineasts, he wound up the last of the mandarin, encyclopedic high modernists comparable to Joyce or Pound—albeit with a bizarre, short-lived swerve into the most recondite political cinema imaginable. Had Godard retired after making Breathless, he would still be revered for creating a knowingly pulverized, neorealist cum Cubist crime film. As it was, he invented a style, predicated on discontinuous “jump” cuts, that he would never again employ. (A barrage of three-second shots with voice-over captions, the trailer he created for Breathless is equally avant-garde.)
ovo je jako blamantno dzime hobermane
I was the third-string movie reviewer for The Village Voice. A critic for another weekly publication invited me to come along as a wingman when he was chosen to interview the master at an intimate lunch of Chinese food organized by a prominent publicist at her Upper East Side apartment. I cringed with secret joy when, by way of breaking the ice, Godard’s designated interlocutor awkwardly told the filmmaker that he was his “culture hero” and was rewarded with the Stare.
The conversation then turned to Godard’s next project. He was hoping to secure Francis Coppola’s backing to make an American movie he called The Story about Bugsy Siegel, starring Robert DeNiro and Diane Keaton. The setting was Las Vegas. Seeing an opening, I piped up, asking Godard who he thought would have found Vegas more interesting, Marx or Freud. I will never forget the disdainful glance he gave me before turning back to his caramelized sesame chicken. It was, I guess, a trick question. But truly, what was there to say to the smartest person in the room, perhaps the single most important individual in the history of cinema?
We briefly met Goddard around 1980 when we had the notion to remake Alphaville. He said "why make this old movie?" It never happened but we 'bought' the rights from him for a grand. We later found out he didn't own the rights. pic.twitter.com/p1q594ULnX
— Cʜʀɪs Sᴛᴇɪɴ (@chrissteinplays) September 13, 2022
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ova zemlja to je to
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Woody Allen Announces His Retirement https://t.co/wDyhrQADdq
— Variety (@Variety) September 18, 2022
sta da kazem, po mom osecaju nezanimljiv reditelj/autor, ali ko glumac imo je jedinstveno i zabavno prisustvo na ekranu i napravio niz zabavnih filmova. ostavio veliki trag na tv produkciju.
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ova zemlja to je to
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rekao da nije to rekao. kaze pogresno ga preneli.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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boomer crook wrote:rekao da nije to rekao. kaze pogresno ga preneli.
eto nade za filma.
danas dropovalo dosta materijala o godaru, dzim hoberman i kler deni pricali za lrb-ov podkast, brodi i onaj decko iz n+1 pricali za neki drugi podkast. a oglasio se i fred dzejmson
'What he was, if anything, was Cinema itself, cinema rediscovered at its moment of disappearing. If cinema really is dying, then he died with it; or better still, it died with him.'
— Oliver Eagleton (@EagletonOliver) September 28, 2022
Jameson's debut in Sidecar! https://t.co/JL9VtoeO1t
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ova zemlja to je to
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stiglo mi ovo pre neki dan, juce sam malo cito.
malo je overwhelming za citanje. ne znas gde da pocnes. prvi utisak je kako se dane brzo razvija kao pisac, u prvim tesktovima, o hoksu i premindzeru, jedina ideja koju ima u glavi je mizanscen vs svet, dakle standardni bazen/rivet, i onda odjednom usisava lakana, strukturalizam i leftizam, deklinizam i endizam, ali potpuno svareno, nije se ni naduo. prosto mnogo dobar pisac. sto me dovodi do glavnog utiska, tj pitanja. ima li velikog modernog pisca/mislioca filma koji ima i dobar ukus i moze da posluzi ko kanonizator? ja misim da nema i to je rekao bih specificno problem filma i onako simptomaticno je do jaja. farber je veliki pisac o filmu, ali po cenu pretezno loseg ukusa. to bi isto moglo da se kaze i za polin kejl, ako prihvatimo pretpostavku da je bila dobar pisac (a nije). ljudi koji su primerni kanonizatori, tipa rozenbam, prosto nisu veliki pisci.
dane je imao jako dobar ukus, ali za njega je film vec sredinom sedamdesetih bio istrosen. kopola i skorseze su samo respektabilni predstavnici akademskog stila. sreder netalentovani omazer. fridkin, a little like schrader, another specialist in fradulent descents into hell. jedini predstavnik americkih sedamdesetih koga voli je vudi alen lol. voli vendersa, ali o fasbinderu prilicno ambivalentan, a hercogov nosferatu postavlja 2 pitanja - one is general: why does cinema no longer produce myths? the other, particular: why has herzog regressed to such a degree?
itd.
na kraju ostaju samo godar i strob. i naravno, smrt. the filmmaking that interests us is haunted by writing. now, it very well may be that with people such as godard and straub, we have reached a limit-point of writing. they are filmmakers for whom an image is closer to an inscription on a gravestone than a publicity poster. and perhaps film's only remaining choice is to be either a poster or an epitaph. trifou je trebalo 20 godina da ukapira that with him it is all about - as it is with entire new wave - the cult of the dead.
citacu je jos ovih dana sigurno pa cu napisati jos neke impresije.
malo je overwhelming za citanje. ne znas gde da pocnes. prvi utisak je kako se dane brzo razvija kao pisac, u prvim tesktovima, o hoksu i premindzeru, jedina ideja koju ima u glavi je mizanscen vs svet, dakle standardni bazen/rivet, i onda odjednom usisava lakana, strukturalizam i leftizam, deklinizam i endizam, ali potpuno svareno, nije se ni naduo. prosto mnogo dobar pisac. sto me dovodi do glavnog utiska, tj pitanja. ima li velikog modernog pisca/mislioca filma koji ima i dobar ukus i moze da posluzi ko kanonizator? ja misim da nema i to je rekao bih specificno problem filma i onako simptomaticno je do jaja. farber je veliki pisac o filmu, ali po cenu pretezno loseg ukusa. to bi isto moglo da se kaze i za polin kejl, ako prihvatimo pretpostavku da je bila dobar pisac (a nije). ljudi koji su primerni kanonizatori, tipa rozenbam, prosto nisu veliki pisci.
dane je imao jako dobar ukus, ali za njega je film vec sredinom sedamdesetih bio istrosen. kopola i skorseze su samo respektabilni predstavnici akademskog stila. sreder netalentovani omazer. fridkin, a little like schrader, another specialist in fradulent descents into hell. jedini predstavnik americkih sedamdesetih koga voli je vudi alen lol. voli vendersa, ali o fasbinderu prilicno ambivalentan, a hercogov nosferatu postavlja 2 pitanja - one is general: why does cinema no longer produce myths? the other, particular: why has herzog regressed to such a degree?
itd.
na kraju ostaju samo godar i strob. i naravno, smrt. the filmmaking that interests us is haunted by writing. now, it very well may be that with people such as godard and straub, we have reached a limit-point of writing. they are filmmakers for whom an image is closer to an inscription on a gravestone than a publicity poster. and perhaps film's only remaining choice is to be either a poster or an epitaph. trifou je trebalo 20 godina da ukapira that with him it is all about - as it is with entire new wave - the cult of the dead.
citacu je jos ovih dana sigurno pa cu napisati jos neke impresije.
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ova zemlja to je to
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da, ono film nije umetnost. hajde pisi bas me zanima. ide super uz potpis.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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misim da to jeste njegov problem. misim problem nema negativnu konotaciju, ako je i ima onda je problem filma a ne danea. prvi tekst u zbirci, o hoksu, zove an adult art. u svakom tekstu koji sam citao govori art i artist. cak i o tekstu o biliju vajlderu, koji je za njega prvi predstavnik estetike maximum returna i ekstremne efikasnosti, dakle daleko od umetnosti, tekst pocinje otpirlike: umetnost bilija vajldra je...'
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ova zemlja to je to
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Da li je gledao ko?
What’s good on Criterion Channel?
— Acid Horror Eye Zone (@acidhorizonpod) October 4, 2022
Museum hours - incredible meditation on art from perspective of a art museums security guard.
— becoming-Pink Panther (@trapolinonoah) October 4, 2022
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Slabo me zanima DCU, vecinu ovih filmovanisam ni gledao, niti cu, ali ovaj tekst je skroz zanimljiv. Uztvari, sad mi se gleda fiilm o ovom Zaslavu i njegovom pokusaju da ozivi i restruktuira DC produkciju. Ustvari, o svemu ovome iz teksta. Pola superherojski Hail, Ceasear!, pola cist corporate porn.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Polip da uradi casting!
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Join date : 2014-10-28
Erős Pista wrote:Slabo me zanima DCU, vecinu ovih filmovanisam ni gledao, niti cu, ali ovaj tekst je skroz zanimljiv. Uztvari, sad mi se gleda fiilm o ovom Zaslavu i njegovom pokusaju da ozivi i restruktuira DC produkciju. Ustvari, o svemu ovome iz teksta. Pola superherojski Hail, Ceasear!, pola cist corporate porn.
koji tekst
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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