- Posts : 37661
Join date : 2014-10-28
by boomer crook Sat Dec 03, 2022 4:14 am
For seventy years the SIGHT AND SOUND POLL has been a reliable if somewhat incremental measure of critical consensus and priorities. Films moved up the list, others moved down; but it took time. The sudden appearance of "Jeanne Dielman" in the number one slot undermines the S&S poll's credibility. It feels off, as if someone had put their thumb on the scale. Which I suspect they did. As Tom Stoppard pointed out in Jumpers, in democracy it doesn't matter who gets the votes, it matters who counts the votes. By expanding the voting community and the point system this year's S&S poll reflects not a historical continuum but a politically correct rejiggering. Ackerman's film is a favorite of mine, a great film, a landmark film but it's unexpected number one rating does it no favors. "Jeanne Dielman" will from this time forward be remembered not only a important film in cinema history but also as a landmark of distorted woke reappraisal.
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And Will's father stood up, stuffed his pipe with tobacco, rummaged his pockets for matches, brought out a battered harmonica, a penknife, a cigarette lighter that wouldn't work, and a memo pad he had always meant to write some great thoughts down on but never got around to, and lined up these weapons for a pygmy war that could be lost before it even started
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