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zvezda je zivot wrote:

Happy birthday, JLG https://t.co/t4xgfUbrq8

— Dave Weigel (@daveweigel) December 3, 2020

Tenet director Christopher Nolan is leading a chorus of furious protest from the film industry over Warner Bros’ decision to release its entire 2021 slate in the US simultaneously in cinemas and on its streaming service HBO Max.
In an interview with E!, Nolan said his response was one of “disbelief” and that “there’s such controversy around it, because they didn’t tell anyone … They’ve got some of the top film-makers in the world, they’ve got some of the biggest stars in the world who worked for years in some cases on these projects very close to their hearts that are meant to be big-screen experiences ... And now they’re being used as a loss-leader for the streaming service … without any consultation.”
He added: “It’s very, very, very, very messy … [It’s] not how you treat film-makers and stars and people who … have given a lot for these projects.”
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Nolan went even further in [url=https://www.hollywoodreporter.com/news/christopher-nolan-rips-hbo-max-as-worst-streaming-service-denounces-warner-bros-plan?utm_source=Sailthru&utm_medium=email&utm_campaign=THR Breaking]a statement to the Hollywood Reporter[/url], saying: “Some of our industry’s biggest film-makers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service … [Warner Bros] don’t even understand what they’re losing. Their decision makes no economic sense, and even the most casual Wall Street investor can see the difference between disruption and dysfunction.”
Nolan’s intervention amid widespread industry dismay at Warner Bros’ move is all the more dramatic considering the studio has been involved in all his films since 2002’s Insomnia, including the blockbusting Dark Knight trilogy and recent productions Dunkirk and Tenet. The underwhelming commercial performance of Tenet at the US box office, where it took $57.6m after its release in September, is thought to have partly formed Warner Bros’ thinking, but the decision to change the release of all 17 of its 2021 slate – which includes such tentpole offerings as The Matrix 4, Dune and The Suicide Squad – has provoked widespread consternation.
Warner Bros is likely to face legal consequences for its decision, with reports that high-profile production outfit Legendary is considering suing the studio. Legendary has co-financed Dune and Godzilla vs Kong, two of Warner Bros’ 2021 releases, and is reportedly currently attempting to renegotiate their contracts in light of the projected loss of cinema revenue. Dune director Denis Villeneuve is also reported to be unhappy with the situation, having understood the film would be launched on the big screen.
John Stankey, the chief executive of AT&T, which owns both Warner Bros and HBO Max, defended the move on Tuesday, calling it a “win-win-win”. He said: “I know there’s a lot of noise out in the market, people with different viewpoints. Anytime you’re going to change a model, it’s going to create a degree of noise.” Stankey said the move would give customers a “choice”, and the longer-term would be “dictated by what consumers wish to do”.

I learned in the news that Warner Bros. has decided to release “Dune” on HBO Max at the same time as our theatrical release, using prominent images from our movie to promote their streaming service. With this decision AT&T has hijacked one of the most respectable and important studios in film history. There is absolutely no love for cinema, nor for the audience here. It is all about the survival of a telecom mammoth, one that is currently bearing an astronomical debt of more than $150 billion. Therefore, even though “Dune” is about cinema and audiences, AT&T is about its own survival on Wall Street. With HBO Max’s launch a failure thus far, AT&T decided to sacrifice Warner Bros.’ entire 2021 slate in a desperate attempt to grab the audience’s attention.


Warner Bros.’ sudden reversal from being a legacy home for filmmakers to the new era of complete disregard draws a clear line for me. Filmmaking is a collaboration, reliant on the mutual trust of team work and Warner Bros. has declared they are no longer on the same team.




Streaming services are a positive and powerful addition to the movie and TV ecosystems. But I want the audience to understand that streaming alone can’t sustain the film industry as we knew it before COVID. Streaming can produce great content, but not movies of “Dune’s” scope and scale. Warner Bros.’ decision means “Dune” won’t have the chance to perform financially in order to be viable and piracy will ultimately triumph. Warner Bros. might just have killed the “Dune” franchise. This one is for the fans. AT&T’s John Stankey said that the streaming horse left the barn. In truth, the horse left the barn for the slaughterhouse.
Public safety comes first. Nobody argues with that. Which is why when it became apparent the winter would bring a second wave of the pandemic, I understood and supported the decision to delay “Dune’s” opening by almost a year. The plan was that “Dune” would open in theaters in October 2021, when vaccinations will be advanced and, hopefully, the virus behind us. Science tells us that everything should be back to a new normal next fall.
“Dune” is by far the best movie I’ve ever made. My team and I devoted more than three years of our lives to make it a unique big screen experience. Our movie’s image and sound were meticulously designed to be seen in theaters.
I’m speaking on my own behalf, though I stand in solidarity with the sixteen other filmmakers who now face the same fate. Please know I am with you and that together we are strong. The artists are the ones who create movies and series.
I strongly believe the future of cinema will be on the big screen, no matter what any Wall Street dilettante says. Since the dawn of time, humans have deeply needed communal storytelling experiences. Cinema on the big screen is more than a business, it is an art form that brings people together, celebrating humanity, enhancing our empathy for one another — it’s one of the very last artistic, in-person collective experiences we share as human beings.


Once the pandemic is over, theaters will be filled again with film lovers.
That is my strong belief.  Not because the movie industry needs it, but because we humans need cinema, as a collective experience.
So, just as I have both a fiduciary and creative responsibility to fulfill as the filmmaker, I call on AT&T to act swiftly with the same responsibility, respect and regard to protect this vital cultural medium. Economic impact to stakeholders is only one aspect of corporate social responsibility. Finding ways to enhance culture is another. The moviegoing experience is like no other. In those darkened theaters films capture our history, educate us, fuel our imagination and lift and inspire our collective spirit. It is our legacy.
Long live theatrical cinema!
— Denis Villeneuve

may not have a single redeeming feature, but it doesn't have a dull moment, either.

Ajeje Brazorf wrote:pa u Wild Things ceo film je objašnjen u post-credits scenama.

inače obožavam taj film i potpisujem ovo

may not have a single redeeming feature, but it doesn't have a dull moment, either.

Kina u Centru Kaptol bila su udobna i civilizirana, a predstave nisu bile pretrpane reklamama, kao u Cinestarovim kinima.

Apichatpong Weerasethakul and Tilda Swinton's MEMORIA is being released in theaters only indefinitely. @neonrated will open the film in one theater at a time and tour it around. It will NEVER hit streaming, DVD, or VOD/PVOD. Seriously, it's theaters only: https://t.co/OX7GhUwnrd pic.twitter.com/lhfibb9eQ4

— Zack Sharf (@ZSharf) October 5, 2021