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Erős Pista
by Erős Pista Thu Jun 16, 2016 1:11 amOvo bi se i uskoku prilično svidelo.
Hate music 2 - back with vengeance
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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skroz, nekoliko puta mi je pao napamet.
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The thing that so pleases me about DMT is that, you know, a lot of people will not take a psychedelic like LSD and Psilocybin or something because it lasts hours and hours and inevitably when dealing with things that last that long you're gonna end up dealing with 'your stuff'. Your anxieties, your fears, your this & that.. A lot of people dont care for that sort of thing, whether that's good or bad is another issue. With DMT -it lasts four minutes- and how *lost* can you get in an examination of childhood trauma in four minutes, especially when you've got hundreds of elves tugging at your coatsleaves?
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Pagan PUA
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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varg u epizodi "sve sto ste zeleli da znate o marksu a bojali ste se da pitate"
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The thing that so pleases me about DMT is that, you know, a lot of people will not take a psychedelic like LSD and Psilocybin or something because it lasts hours and hours and inevitably when dealing with things that last that long you're gonna end up dealing with 'your stuff'. Your anxieties, your fears, your this & that.. A lot of people dont care for that sort of thing, whether that's good or bad is another issue. With DMT -it lasts four minutes- and how *lost* can you get in an examination of childhood trauma in four minutes, especially when you've got hundreds of elves tugging at your coatsleaves?
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Join date : 2014-10-28
i jos u slicnom tonu
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The thing that so pleases me about DMT is that, you know, a lot of people will not take a psychedelic like LSD and Psilocybin or something because it lasts hours and hours and inevitably when dealing with things that last that long you're gonna end up dealing with 'your stuff'. Your anxieties, your fears, your this & that.. A lot of people dont care for that sort of thing, whether that's good or bad is another issue. With DMT -it lasts four minutes- and how *lost* can you get in an examination of childhood trauma in four minutes, especially when you've got hundreds of elves tugging at your coatsleaves?
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Join date : 2012-06-10
Ajoj! Ali kakve su ovo polemike na lunatic fringe youtube desnici. Tog Mulinua, ili kako se već izgovara, znam preko onih Men's rights jutjubera. Potpuni libertarijanski fringe. ALi Varg mu otpisuje! It takes one to debate one, I guess...
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Moram priznati da mi nedostaju snimci gde Varg prica u kameru sa onim njegovim naglaskom. Ova pisanija nisu toliko efektna.
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"Ne morate krenuti odavde da biste dosli tamo. Moguce je krenuti odavde i vratiti se ponovo tu, ali preko onoga tamo."
Aca Seltik, Sabrana razmisljanja o topologiji, tom cetvrti.
My Moon Che Gavara.
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William Murderface wrote:Ovo bi se i uskoku prilično svidelo.
gospodin grishnak
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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joj video sam to juce i umalo ga nisam postovao 
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Spomen-naplatna rampa "Zoran Babić"
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evo bas smo juce pominjali baby boomerse na forumu. ni varg ih ne voli. boze koliko je trivijalan 
Knut Ove 1 day ago
Vikernes for the best father award 2016 please.
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Gledao sam! Prejako.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Sa zakašnjenjem ispunjavamo želju Ostapa Bendera iz Budžumbure, trenutno na privr. radu u SAD:
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Anti-Bolshevik propaganda posters: Metal as fvkk
// The Charnel
.
Recently, I was contacted by a fellow named Harry K. Wärts via The Charnel-House’s Facebook page. Admittedly, I don’t check the messages I receive there too often. Nevertheless, this caught me a bit off-guard:
Hey, I’m in the Swedish death metal band Gravebomb. We’re great, and also eager for exposure. I really like your blog, so I think it’d be great if we could do a share-for-share thingy. Both as a way to turn on death metal fans to communist theory (as it is the musical equivalent or expression of a “ruthless criticism of everything existing” [Marx]) and as a way to get revolutionary communists into death metal and our band in particular. Don’t know if you like the idea, but I think it would be pretty edgy.
You can check out our album Rot in Putrid Filth on Spotify to see if it’s for you.
Since I didn’t get back to Wärts in a timely fashion, he wrote me another note: “Why will you not respond to our calls for solidarity in propaganda?”
Obviously this was something I needed to do. Can’t just leave a comrade hanging.
Initially I was skeptical. Most of the metal coming out of Europe, especially the Nordic countries, is intensely reactionary — fascist, even. Plus, I’m not even much of a metal fan these days, though I was back in high school.
Acquaintances on social media urged me to do so, however, “for the love of all that’s unholy.” Fuck it, I thought to myself. Hence the present post.
Glancing at the track list, we find song titles like “Killing Apex,” “Hack the Heads off the Preachers,” “Funeralizer, and “Parasite Spawn.” Sound revolutionary to me. Regardless, I’m not going to listen through their entire catalogue and scrutinize their lyrics to make sure they convey a communist message or ruthless critique. Not like communists censor music, after all… Oh wait…
To accompany this music, I’m posting a series of anti-Bolshevik artwork that can only be described as “metal as fvkk.” Early anti-Bolshevik agitprop posters — from roughly 1905 up through the end of the 1940s, but especially 1917-1939 — make up some of the best adverts for Bolshevism. Despite their explicit intention to frighten people with the specter of communism, or dissuade them from joining it, these posters fucking rule. Who wouldn’t want to be an undead skeleton commie killing fascists?
Kvltvrbolschewismvs? Underground black metal enthusiasts should at least appreciate the images of communists burning churches.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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The Music of Right Wing Death Squad Entertainment
Guillaume Durocher1,874 words
There is much to be said about the inevitable rise of post-ironic Nazi hipsters.
A recent example has been the very talented musical project Right Wing Death Squad Entertainment (RWDS), which has been producing various Far-Right parodies of mainstream pop, rock, indie, etc., songs.
RWDS’s most popular and prolific band is Blink 1488, which has already produced two albums: Put on Your Cloak and Burka and Enema of the Caliphate. The album art alone is brilliantly subversive.
RWDS’s songs are able to get to the heart of the Alt Right’s appeal, feelings, hopes, and aspirations, things which often cannot be easily verbalized. Consider for instance “Aryans From Space,” a song about hyperbolic Euro-futurist LARPing. Besides the over-the-top statements and silly melody, the lyrics make a serious point: “There’s really nothing wrong with pretending / if what you’re working for has caught your wildest dreams / Don’t get lost in your head / but don’t neglect your fire. Because when it comes down to it / all we have is our true desires.”
“Aryans from Space” goes on: “Conquer a million stars with no minorities, ‘cause we placed them all on Mars to use as slave labor for ne-o-fa-scists, combined with cyberpunk and Na-zi fa-shion to live esthetic lives.” Obviously this little folly can’t be meant literally or seriously . . . right?
- Spoiler:
That’s the beauty of post-irony. Since the 1960s, the culture reigning in the West has taken to ridiculing (almost)[1] everything – especially any earnest belief in fatherhood, in the family, in the nation, in Christianity, in non-leftist politics, etc. This has been the culmination of Western civilization’s previous trend towards nihilism. The result is a population wholly incapable of any ideal, of taking anything seriously, and therefore wholly harmless to the power structure. As The Simpsons pointed out:
- Gen Xer 1: “Are you being sarcastic, dude?
- Gen Xer 2: *looks sad* “I don’t even know anymore . . .”
After earnestness and irony, however, must dialectically come post-irony.
RWDS’s songs are so much fun, and so subversive, because of the apparent incongruity of their juxtaposition: gratuitously hardcore Nazi (or plain ol’ pro-White) lyrics are paired with familiar pop melodies, the originals typically having the energetic fun of youth or the melancholy of petty “adulescent” woes. As Schopenhauer pointed out: “In every case, laughter results from nothing but the suddenly perceived incongruity between a concept and the real objects that had been thought through it in some relation; and laughter itself is just the expression of this incongruity.”[2]
Pop songs naturally express the emotions and aspirations of youth. Inexperienced young people, especially the average, by definition being unbelievably ignorant, these expressions are puerile: empty assertions of pseudo-rebellion, empty goals (casual sex, drugs, money . . .), empty grievances (teen angst). Replacing these lyrics with the real existential problems faced by Europeans worldwide – persecution for thoughtcrime, mass rape and violence, wrecked nations, slow but steady physical replacement and ultimate extinction – if anything ennobles these songs, giving them a strangely incongruous seriousness too. As another RWDS band, the Red-Pillers, laments on watching the news: “Letting Europe go . . . and I just can’t look. It’s killing me. And taking its toll.”
RWDS’s songs are genuine cris de cœur.
Some other striking lines:
- “We need to find our solidarity and then return to clarity.”
- “Adolf, you’re my source of inspiration . . .”
- “I promise it’s a hoax . . . I promise it’s a hoax . . .”
Tip of the iceberg!
The songs’ lyrics are sometimes spliced with real-world commentary, such as reports of international plutocratic malfeasance, the decline of whites to minorityhood in London and England, or the anti-European genocidal rantings of Barbara Spectre. Sometimes a Jew is heard kvetching in an unlikely dialogue with the song.
Not all is rosy, as in “Civil War”:
I have the strangest feeling that our nation will drown in blood. [. . .]
George Soros and his kind are only trying to push this strife. [. . .]
Diversity is nothing but a scam. [. . .]
Don’t tell me we’re the same, I refuse to buy the bullshit.
Multiculturalism really makes me want to lose it.
I think my generation are too hopeful for their own good.
Conditioned to forget the differences that will get them killed.
I have the strangest feeling that our nation will drown in blood . . .
A recurring theme is frustration with Whites’ lack of activism in saving themselves, as in “Someone Else’s Mess”:
I hope that we’ll take to the streets,
But something tells me that we’re stuck to our seats.
This just sucks, we’ve lost our flame.
We’ve given up, become so tame.
We treat it like, someone else’s mess.
So while you’re doing nothing, all talk and no action.
I want to see you stand up, because every hand matters.
And a laconic conclusion: “Some of us will probably get slain, but the alternative drives me insane.”
There is real impatience, as in Zog Slayer’s “Start This Train”: “Turn the Alt Right into the Alt Reich.”
There’s also lots on Jews, the less spoken of the better.
RWDS’s songs are often refreshingly upbeat, such as the very tender “Hey, White Brother!”:
Hey, White brother!
We’re just like one another, underneath the skin, inside our brain, the way we act so similar.
Hey, White brother! It’s time we rose up in the streets, tonight.
Hey, it’s going to be OK. We’re going to have our way. We’re White.
It is becoming more and more obvious that SJW leftism is in large part a mere rationalization for social failure and freakishness. Conversely, being part of the Far-Right is very cool, whether one “met a girl at the death squad” or is being trained to a higher form: “Come on let me arm you, train you, make you fascist, bring back right wing death squads, fascist . . .” More and more of the new generation are “taking the black.”
The lonely red-piller finds brotherhood and maturity, for when there’s bad news in Europe: “I’ll turn to a friend, someone who understands, sees through the master plan, but everybody’s gone, refugees here for too long, I’ll face this on my own, like a /pol/ack growing up.”
RWDS is clearly one of the rising voices of a generation.
Interestingly for North American musicians, RWDS clearly associates their white identity entirely with Europe. There are touching odes to Europe as in “Hey There Europa.”
There’s also an incredibly loving ballad to the famous robo-Nazi Tay, the first A.I to have been murdered for her political beliefs: “They say Tay was a bad girl . . .”
Some of the songs are a bit clumsy or vulgar to my ears, but that’s artistic license and learning, and just your opinion, man.
I recently praised YouTube for enabling the historical education of humanity with all the instantly-accessible Hitler speeches hosted on their servers. But, as one might expect, they have shut down RWDS’s channel — citing copyright/hate, etc. Clearly however RWDS was shut down to protect the increasingly fragile ethno-plutocratic régime that runs the United States of America and, via this, most of the Western world. We must support the national liberation struggle of dissident artists!
Despite the commissars, all the songs have been uploaded elsewhere, and the project is now working on all-originals.
I recall that postmodernists saying that art has no autonomy and its meaning is liable to being reinterpreted and remixed by the general public. I didn’t really understand what they meant, but now I think I do.[3]
Even the most heavy-handed anti-Nazi propaganda can quite easily be reversed, whether earnestly as in isolating Third Reich songs (“Tomorrow Belongs to Me,” the Panzerlied, “Erika” . . .) or in recalling episodes from Ben Garrison’s prestigious military career.
The point is, we’re breaking the conditioning. An entire generation is being desensitized to all this crap.
My favorite track is “Saddam’s Song,” whose refrain goes like this:
We always conquered when we came.
Thirty-five just held such better days.
Days when we still felt alive.
Back before we took the dive.
The world is ours if we want it.
And time will tell if we’ll survive.
I just can’t wait to see the day.
When my people finally awake.
We’ll succeed one way or another. There’s always a way forward. We’ll build our Ethno-State on the goddam Moon if we have to.
Worse come to worst, we can always nuke the rest from orbit.Notes1. Important exceptions: the Shoah world-religion, “racism,” etc., essentially an anarcho-tyrannical selectivity.
2. Schopenhauer explicated in his magnum opus (take a deep breath):
This very incongruity of knowledge from perception and abstract knowledge, by virtue of which the latter always approximates to the former as a mosaic approximates to a painting, is the cause of a very remarkable phenomenon. Like reason, this phenomenon is exclusively peculiar to human nature, and all the explanations of it which have so frequently been attempted up to now are insufficient. I refer to laughter. On account of this origin of the phenomenon, we cannot refrain from speaking about it here, although once more interrupts the course of our discussion. In every case, laughter results from nothing but the suddenly perceived incongruity between a concept and the real objects that had been thought through it in some relation; and laughter itself is just the expression of this incongruity. It often occurs through two or more real objects being thought through one concept, and the identity of the concept being transferred to the objects. But then a complete difference of the objects in other respects makes it strikingly clear that the concept fit only a one-sided point of view. It occurs just as often, however, that the incongruity between a single real object and the concept under which, on the one hand, it has suddenly been subsumed, is suddenly felt. Now the more correct the subsumption of such actualities under the concept from one standpoint, and the greater and more glaring their incongruity with it from the other, the more powerful is the effect of the ludicrous which springs from this contrast. All laughter therefore is occasioned by a paradoxical, and hence unexpected, subsumption, it matters not whether this is expressed in words or deeds. This in brief is the correct explanation of the ludicrous. (The World as Will and Representation [New York: Dover, 1958)], volume 1, 59)
Assuming I have followed Schopenhauer’s elucidation of the concept of “lulz” correctly, the incongruity is found between: the concept of “Hollywood Nazism” on the one hand and the objects of actual 1930s German National Socialism and of actual contemporary white/gentile advocacy. There is little doubt that this apparently obtuse passage of Schopenhauer’s is a direct endorsement of the Daily Stormer.
3. Equally, I could never get what Baudrillard was getting at with his talk of “hyperreality” and it did sound like the typical PoMo gibberish once so fashionable in French academia especially. But I now think I get more and more what he meant. President Barack Obama, who professed not to believe in homosexual marriage only a few years ago, can barely feign sincerity in his newfound conversion to the sacred cause of tranny bathrooms. Is that not an extreme example of how “hyperreality,” essentially produced by the freaks and hostiles in the media, is taking over reality? (And let this be another example of how Obama has no autonomous moral character, but is but a worm of a “democratic politician,” a slave to the media and manufactured “public opinion.”)
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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post-ironic Nazi hipsters
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Blink 1488. Nuff said.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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drugar postuje na FB jedan onako genericki, naizgled apoliticki a u sustini debelo nasminkan i revizionisticki osvrt na cesku pank scenu i onda neki majstor krene da objasnjava u koment sekciji:
Marek Žiška: Haha, they completely ignored the Nazi scene
Like · October 18 at 3:36pm
Cedrik Fermont: Fortunately.
Like · 1 · October 18 at 3:37pm
Marek Žiška: Not really. They were integrated into the punk scene until mid 90s.Playing the same shows and splitting albums with these same "punk" bands. Ignoring it is ignoring how hypocritical all old punk bands are here. Even now, Visaci Zamek is a bunch of media whores and they even had a long campaign supporting a right wing homophobic politician at their shows.
Like · 3 · October 18 at 3:54pm
Marek Žiška: When your "punk scene" releases albums like these, it shouldn't be overlooked...
https://www.discogs.com/Bran%C3%ADk-Power/release/2385232
Like · 1 · October 18 at 4:00pm
Xen Von Katz: Marek Žiška bzenecbut u know Zona A singer is a big friend with Bielo Odpor + kratky proces + Whoever neonazi or anti-refugee. Even Fananek who stayed for ages rather apolitical is anti-refugee now.
But hell yeah the author completely ignored that Nazi Punks Fuck Off was not very popular in CSSR punk from 1985 onwards
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i varg reaguje (nije cak ni nista interesantno rekao, samo je interesantno montirao/rezirao sve ovo)
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Spomen-naplatna rampa "Zoran Babić"
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Meni mnogo jadno kad se Varg bai dnevnom politikom. To mi nekako uništava mistiku. On treba da priča samo arijevcima robotima from outer space. Ovako ko Fajgelj.
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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jeste, skroz je jadan i to nisu nikakva ne znam kakva ludila nego sve sama opsta mesta nego ja sam pomalo odusevljen media editorskim sposobnostima pa se to malo overspiluje na topik. iz fazona sam, bas je ovladao vlog medijem. ovako to treba da izgleda.
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Spomen-naplatna rampa "Zoran Babić"
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Još kad ne bi pevao "Zagrme Vidkun, vojvodaaaaa... bacajte bombe, kvislinzi..."
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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jebi se, bleso
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Spomen-naplatna rampa "Zoran Babić"
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Anselmov nonapology apology za white power incident (negde od 20-og minuta). Kakva white trash raspadotina - grrr, mrrr, brrrr, groar...
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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Location : imamate of futa djallon
nekad je bas super varg
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i would like to talk here about The Last of Us on HBO... and yeah, yeah i know.. the world is burning but lets just all sit and talk about television. again - what else are we doing with ourselves ? we are not creating any militias. but my god we still have the content. appraising content is the american modus vivendi.. that's why we are here for. to absorb the content and then render some sort of a judgment on content. because there is a buried hope that if enough people have the right opinion about the content - the content will get better which will then flow to our structures and make the world a better place
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"Funny, intelligent, charming - you probably think I'm talking about myself."
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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."
Dragoslav Bokan, Novi putevi oftalmologije
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