R.I.P.

erős paprika

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Post by erős paprika on Thu Jan 14, 2016 3:49 pm

bio je ipak super kauboj

R.I.P. - Page 4 Hans-gruber-fall-1080


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The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
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Post by Guest on Thu Jan 14, 2016 3:52 pm

Sto "ipak"?
erős paprika

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Post by erős paprika on Thu Jan 14, 2016 3:57 pm

pa to je dijalog iz die harda. meklejn kaze gruberu: hans, i ti bio odlican kauboj.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
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Post by Guest on Thu Jan 14, 2016 4:03 pm

Covece, ja Die Hard nisam gledala od - pa kad je bio Die Hard R.I.P. - Page 4 1143415371
Nicega se ne secam. VHS i video klub Joker, otprilike.
Mogla bih bas ponovo!
erős paprika

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Post by erős paprika on Thu Jan 14, 2016 4:05 pm

pa sto kazu: nije nova godina sve dok hans gruber ne padne sa vrha nakatomi zgrade.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
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Post by Guest on Thu Jan 14, 2016 4:06 pm

tako je  R.I.P. - Page 4 4101625831
Erős Pista

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Post by Erős Pista on Thu Jan 14, 2016 4:07 pm

+1000


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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."

Dragoslav Bokan, Novi putevi oftalmologije
erős paprika

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Post by erős paprika on Thu Jan 14, 2016 4:12 pm

inace tajna uspeha die harda je bila i u nasem perverznom uzitku u onome sto hans gruber radi. gotovo pa da navijamo za njega. to ne bi bilo moguce bez rickmana.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
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Post by Indy on Thu Jan 14, 2016 8:34 pm

William Murderface wrote:

Jbt, šta je s tim Englezima...
Rak.
Erős Pista

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Post by Erős Pista on Thu Jan 14, 2016 8:36 pm

Da, sva trojica.


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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."

Dragoslav Bokan, Novi putevi oftalmologije
Erős Pista

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Post by Erős Pista on Thu Jan 14, 2016 8:37 pm

A izgledalo je da će Lemiju doakati srce koje je tako bezočno akao celog života, ali ne.


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Dragoslav Bokan, Novi putevi oftalmologije
Indy

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Post by Indy on Thu Jan 14, 2016 9:11 pm

R.I.P. - Page 4 Cancer
Erős Pista

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Post by Erős Pista on Sat Jan 16, 2016 3:05 am

ostap bender wrote:inace tajna uspeha die harda je bila i u nasem perverznom uzitku u onome sto hans gruber radi. gotovo pa da navijamo za njega. to ne bi bilo moguce bez rickmana.


Kradem sa tamoa:

As Hans Gruber in Die Hard, Alan Rickman Redefined Action Movies By [url=http://nymag.com/author/Adam Sternbergh/] Adam Sternbergh [/url]
 

 
R.I.P. - Page 4 14-alan-rickman-die-hard.w529.h352  
Alan Rickman as Hans Gruber in Die Hard. Photo: Twentieth Century Fox
There had, of course, been American action movies before 1988, but the golden age of the action genre began with Alan Rickman’s performance as Hans Gruber in Die Hard. You can pinpoint his impact on the genre even more specifically, to a particular moment in the film, when Gruber, the dapper terrorist, is interrogating Mr. Takagi, the genial head of the firm that occupies Nakatomi Plaza. Gruber prods Takagi to reveal the code to the building’s vault. Takagi, calmly and even cordially, explains that he doesn’t know the code. “I’m going to count to three,” Gruber says. “There will not be a four.” Mr. Takagi, now flustered, says, “Get on a jet to Tokyo and ask the chairman. I’m telling you, I don’t know it. You’re just going to have to kill me,” to which Gruber says, “Okay,” and does. This is the precise moment that we, the audience, know that Gruber is a different breed of villain — and that Rickman is about to show us something we’ve never seen in an action film before.
 
At the time, Rickman, who died today at age 69, was a 46-year-old British actor who’d never before appeared on the big screen. With Hans Gruber, he delivered a performance that now stands as one of the most indelible villains in screen history, as well as the single best piece of acting in any action film ever, period. What distinguishes Rickman’s performance is simple: Rickman is an excellent actor. This had never been a qualification for movie villains before. It had certainly not been a qualification in the nascent genre of American action thrillers. We’d seen oleaginous European bad guys, sure, and trigger-happy psychopaths, but never a character whose elegance and savagery are so convincingly and dexterously intertwined.
Rickman’s line-readings in the film are now legendary — you could pick any of five or six as his best — and he elevated simple gags, like “He won’t be joining us … for the rest of his life,” to moments of menacing poetry. Appropriately, many of Gruber’s most memorable scenes in the film are themselves explicitly about acting: for example, on the roof, when he seems to gull John McClane by claiming to be a cowering fellow American hostage named “Clay, Bill Clay.” And, of course, Gruber’s whole plot is a feat of acting — he’s not really the principled terrorist he presents to the FBI, but simply a greedy crook looking to get his hands on a vault full of millions. Gruber is a thief wearing masks on top of masks, and as the movie rolls, he strips each mask away. Legendarily, producer Joel Silver and director John McTiernan cast Rickman after seeing him onstage as Valmont in a production of Dangerous Liaisons, a performance about which the New York Times wrote, “Alan Rickman was an ideal Valmont, a snake disguised as a seductive fox.” (It’s telling that many still consider Rickman the definitive Valmont, even when compared to John Malkovich’s iconic onscreen performance in the same role.) Gruber is, in many ways, that same snake and that same fox: a German Valmont, armed with a gun, his lust directed not at virtuous women but at negotiable bearer bonds.
Simply put, in this one role, Rickman did what few actors in film history have managed to do: He broke the rules, then wrote new rules for everyone after him to follow. Hans Gruber isn’t the faceless, disposable thug of, say, the Dirty Harry franchise; he isn’t the sneering, scenery-gobbling Bennett in Commando; he isn’t Blofeld, scarred and grimacing and stroking a furry white cat. Rickman brought Shakespearean-level acting chops to in a film about a New York cop trapped in a building full of bad guys. And he introduced to action films the notion that the villain can be just as compelling, if not more so, than the hero — and that, in the hands of the right kind of enormously skilled actor, he can be a figure of devilish complexity. It goes without saying, perhaps, that actors as enormously skilled as Rickman turn out to be in very short supply.
Imagine trying to play an action-film villain in the wake of Die Hard — imagine being, say, Dennis Hopper, no slouch onscreen and an actor known to convincingly bring the menace (see Frank Booth), but whose gibbering bad guy in 1994’s Speed pales in comparison to Gruber. Or John Malkovich, playing Mitch Leary in 1993 in In the Line of Fire — a performance that earned Malkovich an Oscar nomination but with which, as with Valmont, he couldn’t best Rickman’s work. In fact, Rickman’s Die Hard performance was the reason why actors like Hopper and Malkovich were being cast as bad guys in action films in the first place. Hans Gruber is permanently perched atop every list of the Greatest Action-Movie Villains — all of which, frankly, should simply read: (1) Hans Gruber and (2) All the Other Ones — for a one very good reason: No actor before him was ever expected to be that good, and no actor after him has ever managed it. Rickman, among his many other career accomplishments, single-handedly lifted the American action genre to the outskirts of art. He redefined what was possible. No matter the role or the venue, that’s the ultimate legacy an actor can achieve.


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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."

Dragoslav Bokan, Novi putevi oftalmologije
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Post by Guest on Sun Jan 17, 2016 10:31 pm

Dogmu sam pogledao kao tribjut R.I.P. - Page 4 1949538119
Erzsébet Biszak

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Post by Erzsébet Biszak on Sun Jan 17, 2016 10:34 pm

ja upravo a little chaos
very cute


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Post by Guest on Sun Jan 17, 2016 10:38 pm

to deluje kao nesto sto muskarci koji tvrde da ne gledaju gilmorke ne bi priznali da ih zanima. R.I.P. - Page 4 1143415371

sad cu skinem
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Post by erős paprika on Mon Jan 18, 2016 6:16 pm

umro branko vucicevic

http://post.at.moma.org/content_items/624-an-interested-observer-interview-with-branko-vucicevic


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
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Post by Guest on Mon Jan 18, 2016 6:39 pm

eh.
beatakeshi

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Post by beatakeshi on Tue Jan 19, 2016 9:50 pm

Zahvalan sam mu  i za Birsa i Splav meduze.
erős paprika

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Post by erős paprika on Tue Jan 19, 2016 10:31 pm

ja sam iskreno zgadjen da vest o njegovoj smrti niko nije objavio. nista protiv slavnih mrtvih iz belog sveta ali cica branko je zasluzio makar vest.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
Somlói Galuska

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Post by Somlói Galuska on Tue Jan 19, 2016 10:31 pm

+1
beatakeshi

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Post by beatakeshi on Tue Jan 19, 2016 10:35 pm

Baš to kažem ženi, nikad ništa od nas.
Sad sam nešto prebrojao, imam jedno desetak knjiga sa njegovim imenom na koricama. Njegove filmske kritike su minjoni.
A one knjižice o avangardnom i eksperimentalnom filmu su dovoljne za jedan život.
Ukratko - Prosvetitelj.
erős paprika

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Post by erős paprika on Tue Jan 19, 2016 10:46 pm

covek i jedan od najznacajnijih autora domaceg novog filma. da nista drugo nije bilo pa je to vec dovoljno. uzas. zato sergej sa vesicem pravi tribjut bouviju. mislim car je bouvi ali sergej je tuka a vesic white collar criminal bez stila i ukusa. uzasni su.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.
Erős Pista

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Post by Erős Pista on Tue Jan 19, 2016 11:03 pm

Rani Radovi su genijalan film koji treba tri puta na dan puštati Franjauu, Verteru i mlađariji koja misli da im feministkinje ugrožavaju klasnu borbu. Gledao sam ga po prvi put, kao relativno mator, preko nekog RTS-ovog strima, i ostao zapanjen. Takođe možda jedan od najuticajnijih filmova naše kinematografije, čiji se odjeci čuu i danas u ono malo vrednog u savremenoj srpskoj kinematografiji (Život i smrt porno bande, Tilva Roš)

Peščanik je objavio vest o njegovoj smrti, sa prilično dobrim online resursima.

http://pescanik.net/branko-vucicevic-1934-2016/


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"Oni kroz mene gledaju u vas! Oni kroz njega gledaju u vas! Oni kroz vas gledaju u mene... i u sve nas."

Dragoslav Bokan, Novi putevi oftalmologije
erős paprika

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Post by erős paprika on Tue Jan 19, 2016 11:19 pm

b92 je sramotan.


_____
The law provides us structure to guide us through paralyzing and trying times. But it requires us a vision to its procedures and higher purposes. Before we assume our respective roles in this enduring drama just let me say that when these frail shadows we inhabit now have quit the stage we'll meet and raise a glass again together in Valhalla.

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