Kolumnistička i ostala lupetanja

Gargantua wrote:nova treća srbija

bruno sulak wrote:a sta je to novi treci put? sta to radi u tzv. srbiji? jel on tzv. normalan?

William Murderface wrote:Najbolje obozavam ove starmalce sto iz kratkih pantalona odma udju u odelo i kravatu, ne sto moraju, nego sto vole.

Hubert de Montmirail wrote:

bruno sulak wrote:a sta je to novi treci put? sta to radi u tzv. srbiji? jel on tzv. normalan?

ambiciozni diplomac FPN se grebe za finansiranje?

The alarms sounded when Peterson published what quickly became a massive bestseller, 12 Rules for Life, because books are something that the left recognizes as drivers of culture. The book became the occasion for vicious profiles and editorials, but it was difficult to attack the work on ideological grounds, because it was an apolitical self-help book that was at once more literary and more helpful than most, and that was moreover a commercial success. All of this frustrated the critics. It’s just common sense! they would say, in one arch way or another, and that in itself was telling: Why were they so angry about common sense?

In the midst of this death rattle has come a group of thinkers, Peterson foremost among them, offering an alternative means of understanding the world to a very large group of people who have been starved for one. His audience is huge and ever more diverse, but a significant number of his fans are white men. The automatic assumption of the left is that this is therefore a red-pilled army, but the opposite is true. The alt-right venerates identity politics just as fervently as the left, as the title of a recent essay reproduced on the alt-right website Counter-Currents reveals: “Jordan Peterson’s Rejection of Identity Politics Allows White Ethnocide.”

Hubert de Montmirail wrote:

Naravno, filmovi su po definiciji fikcija, a ne dokumentarni program ili realističan prikaz stvarnosti. Uostalom, samo pogledajmo pobliže u scene koje prikazuju jurnjave kolima, sudske procese ili studentske žurke, odnosno vampire i zombije, te kauboje i svemirske brodove. Svako ko u filmovima očekuje nekakvu realnost je promašio i zanimaciju i temu. Slično je i sa seksom. Glumci i glumice se u erotskim scenama na filmu najčešće simulirano trljaju, dahću i uzdišu bez penetracije (iako ima izuzetaka), a i veliko je pitanje da li uopšte želimo da vidimo stvarni seks na filmu. Na kraju krajeva, i hvala joj na tome, za ovo je zadužena pornografija.

Svako ko u filmovima očekuje nekakvu realnost je promašio i zanimaciju i temu.