B-Kind Rewind

Under My Skin
Performed by Dandelion
Written by Dandelion
Produced by David M. Johnson and Dandelion
Courtesy of RuffHouse Records

Thunder Kiss '65 (Swinging Lovers Remix)
Performed by White Zombie
Remixed by KMFDM
Music by White Zombie
Lyrics by Rob Zombie
Produced by Andy Wallace
Courtesy of Geffen Records

A Beginning/Two of Me
Performed by Old
Written by Jimmy Plotkin
Courtesy of Earache Records

Freak Now/Pericynthion
Performed by Old
Written by Jimmy Plotkin
Courtesy of Earache Records

Riverboat
Performed by John Melendez (as Stuttering John)
Written by John Melendez and Randy Cantor
Produced by Randy Cantor
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products

AFC Theme
Performed by Alcohol Funny Car
Written by Ben London
Produced by Alcohol Funny Car and Scott Benson
Courtesy of C/Z Records, Ltd.

Shapes
Performed by Alcohol Funny Car
Written by Ben London
Produced by Alcohol Funny Car and Scott Benson
Courtesy of C/Z Records, Ltd.

Welcome To This World
Performed by Primus
Written by Primus
Produced by Primus
Courtesy of Interscope Records
By Arrangement with Warner Special Products

Triad
Performed by Pitchshifter
Written by Pitchshifter
Produced by Pitchshifter and Paul Johnston
Courtesy of Earache Records

Grease Box
Performed by Tad
Written by Kurt Danielson, Thomas A. Doyle (as Tad Doyle), Josh Sinder, and Gary Thorstensen
Produced by J. Mascis
Courtesy of Giant Records / The Mechanic Label
By Arrangement with Warner Special Products

Leave Me Alone
Performed by Butthole Surfers (as The Butthole Surfers)
Written by Butthole Surfers (as The Butthole Surfers)
Produced by John Paul Jones
Courtesy of Capitol Records
Licensed by CEMA Special Projects

Make It Now
Performed by Mudhoney
Written by Mudhoney
Produced by Conrad Uno and Mudhoney
Courtesy of Reprise Records
By Arrangement with Warner Special Projects

Roof
Performed by Dandelion
Written by Dandelion
Produced by Joe Nicolo (as Joe "The Butcher" Nicolo) and Dandelion
Courtesy of RuffHouse Records

Barely Human
Performed by Wade
Written by Wade
Produced by Wade and Tom Mallin
Courtesy of Spirit Music Industries

Shutting Down The Memory Factory

When the video store is a cultural center, losing it is painful…
by Nathan J. Robinson

Some civilizations have preserved their cultural practices for hundreds of years. That doesn’t really happen under capitalism, where everything you love will be eaten alive the moment it ceases to be economically efficient. The video store had ceased to be “efficient,” and thus it had to be destroyed. I don’t think a single person was surprised: If anything, they were amazed it still existed at all. I’m under no illusion that there’s any world in which we could keep such places; the technology changes, and it’s impossible to stubbornly resist the inevitable spread of streaming video out of pure nostalgia for obsolete ways of doing things.
But I don’t think it is simple nostalgia. I genuinely feel worse off now, because I don’t have a place to go where friendly faces will be waiting to talk to me about movies. (And give me homemade cookies, which often happened at Video Renaissance.) A social space is gone, the cookies are gone, and all of the serendipitous interactions that would have happened in that place will now never take place. One kind of “efficiency” has been maximized even as “the efficient production of social interaction and joy” has been diminished.

Летећи Полип wrote:Inače,  za zlatno doba filmova o kojim govorimo je bilo onomad dok je trajala navala DVDeva100-200 dinara. Znam da sam svake nedelje uzimao po dva tri. Svakakvog smeća je tu bilo, ali je bilo i dobrih filmova. Tad nije bilo interneta, pa nije bilo ni smernica šta valja, a šta ne. Nego kupiš npr. neki film koji se zove "They Live", misleći da je neka trešina, kad ono do jaja film.

Quincy Endicott wrote:pisaću sutra preksutra, o 3 video kluba čiji sam bio član, tri potpuno različita sveta, koncepta i filozofije...