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by Nino Quincampoix Wed Mar 28, 2018 9:33 amHell yeah!
Americana
- Posts : 10317
Join date : 2012-02-10
Hell yeah!
- Posts : 10317
Join date : 2012-02-10
zvuci starog Kentakija
- Posts : 10317
Join date : 2012-02-10
kanađanin + šćiptar + old nigga = Americana
- Posts : 10317
Join date : 2012-02-10
- Posts : 5594
Join date : 2016-01-26
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Burundi is an exception among other nations because it is a country which gave God first place, a God who guards and protects from all misfortune.
Burundi... opskurno udruženje 20ak levičarskih intelektualaca, kojima je fetiš odbrana poniženih i uvredjenih.
- Posts : 10317
Join date : 2012-02-10
- Posts : 10317
Join date : 2012-02-10
- Posts : 3396
Join date : 2019-11-03
Age : 41
Location : Bordeaux, FR
Fuckity Fuck!
- Posts : 219
Join date : 2014-11-19
Age : 123
Location : mauritius
moram da priznam da ne kontam toliko ovdašnju fascinaciju amerikanom, bliži sam ideji drugosrbijanske rehabilitacije turbo-folka od ideje depresivnih kauboja i kaubojki iz srpskih ravničarskih krajeva koji prave svoje beskrajne omaže willu oldhamu i jasonu molini.
alt-country pokret zna da mi bude zanimljiviji kada ga kroz svoju kaleidoskopsku imaginaciju promatraju umetnici koji zvučno rekontekstualizuju folk matricu u nadrealnim kolažima i tu bi mi jednu od najvećih titula poneo ovaj krejzi spoj krađe semplova omiljene vicki bennett, te elektronskih poteza matmos i wobbly, kao i pomalo pedal steel gitare, koji su napravili ovaj omnizvučni 21st century haos pod imenom wide open spaces, laptop orkestar koji zaista zvuči damn fine.
evo malo info-a sa bandcmpa:
"Vicki Bennett (PLU), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville’s finest almost beyond recognition, and collectively restitching the mangled shreds in a kind of crazed digital quilting bee. Several tense rehearsals and strong pots of tea later, the foursome shuffled on stage and delivered the goods: from panoramic twangfests to offkilter waltzes to barn burning stompers. Flickering and tranquil one moment, and wildly slapstick the next, Wide Open Spaces hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share: absurdist humour, baroque sample manipulation, and stuttering rhythmic frameworks that lurch and sway. While the presence of five samplers, four laptops, three CD players and a pedal steel guitar on one stage could have led to a tediously ego-driven “jam” or simply cacophony, the results feel lushly detailed but not cluttered, and swing naturally between structure and freedom. It’s an international media magpie summit where country’s chick-a-boom meets tech house’s boom-tschak, and tearjerking sentiment and patriotic hokum are subjected to a dense shower of coughs, sputters and rude noises. Listening back to the recorded results, all three musical units agreed that this concert was mighty fine, and worth sharing."
alt-country pokret zna da mi bude zanimljiviji kada ga kroz svoju kaleidoskopsku imaginaciju promatraju umetnici koji zvučno rekontekstualizuju folk matricu u nadrealnim kolažima i tu bi mi jednu od najvećih titula poneo ovaj krejzi spoj krađe semplova omiljene vicki bennett, te elektronskih poteza matmos i wobbly, kao i pomalo pedal steel gitare, koji su napravili ovaj omnizvučni 21st century haos pod imenom wide open spaces, laptop orkestar koji zaista zvuči damn fine.
evo malo info-a sa bandcmpa:
"Vicki Bennett (PLU), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville’s finest almost beyond recognition, and collectively restitching the mangled shreds in a kind of crazed digital quilting bee. Several tense rehearsals and strong pots of tea later, the foursome shuffled on stage and delivered the goods: from panoramic twangfests to offkilter waltzes to barn burning stompers. Flickering and tranquil one moment, and wildly slapstick the next, Wide Open Spaces hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share: absurdist humour, baroque sample manipulation, and stuttering rhythmic frameworks that lurch and sway. While the presence of five samplers, four laptops, three CD players and a pedal steel guitar on one stage could have led to a tediously ego-driven “jam” or simply cacophony, the results feel lushly detailed but not cluttered, and swing naturally between structure and freedom. It’s an international media magpie summit where country’s chick-a-boom meets tech house’s boom-tschak, and tearjerking sentiment and patriotic hokum are subjected to a dense shower of coughs, sputters and rude noises. Listening back to the recorded results, all three musical units agreed that this concert was mighty fine, and worth sharing."
- Posts : 219
Join date : 2014-11-19
Age : 123
Location : mauritius
ovaj bend i ovaj album...
- Posts : 219
Join date : 2014-11-19
Age : 123
Location : mauritius
throwback na ovaj bend i njihov najkrešendastiji momenAt, vihor u kojem deluje kao da je pink floyd usisao calexico, a na jednoj drugoj stvari sa albuma ima i jedna vrlo guns'n'roses solaža.
ono kad sviraš mlaku špagete amerikanu i najbolji album ti ispadne onaj najmetalskiji.
ono kad sviraš mlaku špagete amerikanu i najbolji album ti ispadne onaj najmetalskiji.
- Posts : 3620
Join date : 2018-07-03
Vesele sedamdesete:
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"Sisaj kurac, Boomere. Spletkario si i nameštao ban pa se sad izvlačiš. Radiša je format a ti si mali iskompleksirani miš. Katastrofa za Burundi čoveče.
A i deluje da te napustio drugar u odsudnom trenutku pa te spašavaju ova tovarka što vrv ni ne dismr na ribu, to joj se gadi, i ovaj južnjak koji o niškim kafanama čita na forumu. Prejaka šarža." - Monsier K.